蝶形世界
984
10.0
正片
蝶形世界
10.0
更新时间:08月01日
主演:大卫·杰森,马克·沃伦,米歇尔·道克瑞,大卫·沃纳,托尼·罗宾逊,奈格尔·派纳,彼得·吉尼斯,斯蒂芬·马库斯,克雷格·康威,Rhodri Meilir,西妮德·马修斯,伊恩·理查森,内尔·皮尔森,Nicholas Tennant,Richard Katz,艾德·科尔曼,杰弗里·哈钦斯,约翰·福兰克林·罗宾斯,蒂莫西·贝特森,约翰·博斯沃尔,罗伯特·波特尔,马德琳·拉基克-普拉特,Bridget Turner,Dominic Borrelli,申德,蒂姆· 普莱斯特,Andy Robb,特里·普拉切特,乔斯
简介:

故事发生在一个名为迪斯科的异想世界之中。一年一度的Hogswatchnight即将到来,这是这个世界里最为盛大和隆重的一个节日。每逢此佳节到来,圣猪老爹(多米尼克·波雷里DominicBorrelli饰)都会骑着野猪拉的雪橇,挨家挨户满足孩子们许下的愿望。然而这一次,圣猪老爹却似乎遇到了麻烦。神秘组织派出了杀手Teatime(马克·沃伦MarcWarren饰)追杀圣猪老爹,因为后者的存在严重扰乱了这个循规蹈矩的世界的规律。Teatime绑架了牙仙(西妮德·马修斯SineadMatthews饰),令所有孩子忘记了圣猪老爹的存在。在这个节骨眼上,死神(伊安·理查德森IanRichardson饰)挺身而出接替了圣猪老爹的工作,与此同时,死神的孙女苏珊(米歇尔·道克瑞MichelleDockery饰)也在努力的找寻着圣猪老爹的下落。

1950
2006
蝶形世界
主演:大卫·杰森,马克·沃伦,米歇尔·道克瑞,大卫·沃纳,托尼·罗宾逊,奈格尔·派纳,彼得·吉尼斯,斯蒂芬·马库斯,克雷格·康威,Rhodri Meilir,西妮德·马修斯,伊恩·理查森,内尔·皮尔森,Nicholas Tennant,Richard Katz,艾德·科尔曼,杰弗里·哈钦斯,约翰·福兰克林·罗宾斯,蒂莫西·贝特森,约翰·博斯沃尔,罗伯特·波特尔,马德琳·拉基克-普拉特,Bridget Turner,Dominic Borrelli,申德,蒂姆· 普莱斯特,Andy Robb,特里·普拉切特,乔斯
壶王
984
4.0
正片
壶王
4.0
更新时间:08月01日
主演:李昊臻,杨洋,李虎城
简介:

上世纪三十年代,上海大亨杜月笙派手下余老板来到江苏宜兴,聘请老壶王袁朴生,定制一把紫砂壶,并用这把壶参选三年一度的壶王大会。不料袁朴生忽然患病,半身不遂,幸好他的儿子袁宝尽得真传,于是余老板命袁宝替老壶王制壶,对外概不声张。谁知袁宝是个纨绔子弟,并没有学会制壶手艺,多年来替他制壶的,都是袁家的仆人阿多。袁朴生发现真相,怒不可遏,无奈只好隐瞒真相,命阿多为余老板制壶。阿多向来受尽袁宝欺负,只有小姐碧云对他甚好,阿多因此萌生了喜欢碧云的念头,袁宝认为阿多借机要挟,气急败坏,袁朴生却始终从制壶的角度出发,为保护家族制作紫砂壶的秘密,认为让碧云嫁给阿多也未尝不可。谁料碧云却跟着一个花花公子同学跑了。阿多失魂落魄,终日无所作为,而其他竞争对手,却对阿多施以收买。眼见日期临近,阿杜替袁朴生代工的消息却不胫而走。余老板闻讯,向袁朴生发难,命他不可让阿多参加壶王大会,否则将以流氓手段对付袁家。阿多义愤填膺。这时碧云因为发现花花公子另有家室,愤然回来。阿多为了爱情,为了拯救袁家,抵挡住各种诱惑,从内心里已经转变为一代宗师,他决心牺牲自己,保护袁家。壶王大会上,当评委选出新壶王为阿多时,余老板气急败坏,关键时刻,在众乡亲的帮助下,余老板狼狈逃窜。阿多成为新壶王,与袁家离开故里,开始新的生活。

1708
2010
壶王
主演:李昊臻,杨洋,李虎城
镜子的另一面:纽波特民歌艺术节1963~1965
984
1.0
正片
镜子的另一面:纽波特民歌艺术节1963~1965
1.0
更新时间:06月29日
主演:Bob Dylan , Joan Baez , Judy Collins
简介:"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
416
0
镜子的另一面:纽波特民歌艺术节1963~1965
主演:Bob Dylan , Joan Baez , Judy Collins
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