사랑? 보다는 섹스!
　　한때 명문대를 졸업한 병철은 고시 준비생이다.
　　그는 어릴 적 불량청소년들로부터 자신을 구해준 옆집 누나인 지영을 짝사랑하고 있다.
　　지영은 한때 잘나가던 연예인 매니저인 지완과 사귀고 있지만, 사랑하지는 않는다.
　　우연히 병철과의 다시 이어진 인연으로 그와의 새로운 사랑을 꿈꾸지만,
　　지완은 그 둘의 사랑을 방해하기 시작하는데...

内详

刚入学的新生有好多梦想、好多激情，当然还有最重要的性欲！只要有机会，Paymin 就会想着女人，还有他好色的室友和朋友。一天，因为肚子痛去医院的佩敏救了在街上被色狼袭击的念子。之后，我以为可以和念子一起度过梦想的时光，却发生了念子被有钱的前辈抢走的情

　　This long-lost masterpiece of hardcore gay erotic cinema centers on a handsome young stud who rides his motorcycle through myriad sexual encounters, from a soccer game’s locker room to a phantasmagoric and deeply melancholy orgy. A labyrinth of all-male fantasies whose outstanding beauties always end up fading away while leaving their sensual protagonist dealing with his own loneliness, EQUATION was directed with supreme grace by the mysterious Dietrich de Velsa (aka Francis Savel/Frantz Salieri). A former painter, de Velsa was also the owner and artistic director of La Grande Eugène, one of the first drag cabarets in Paris. Years later, he collaborated with Joseph Losey on MR. KLEIN (1976) and DON GIOVANNI (1979). His one and only film, EQUATION TO AN UNKNOWN stands as one of the most extraordinary erotic films of all time.
　　“The most melancholic porn film I’ve ever seen. It’s very sad, and aesthetically beautiful. Just a young man wandering through several depictions of love and choreographies of love-making; it’s like a ceremony, a ceremony of fantasies, especially the last sequence where the main character recalls all his previous fantasies, which come one by one around his bed and make love to him. I think it’s one of the most beautiful film sequences of French cinema.” –Yann Gonzalez