泰德是一个摄影记者，在一次骇人的探险旅行中，他被一只半人半兽的动物咬伤，女友则不幸死亡。为了休养身心的伤痛，泰德到姐姐珍娜的家暂住，同时陪陪他疼爱的外甥布莱特。在泰德停留的日子里，发生接二连三的恐怖命案，珍娜并未将这些事与弟弟种种异常举动联想在一起，但已引起他们家的灵犬“雷神”（Thor）的警戒，深怕泰德会伤害珍娜和布莱特。不幸的是泰德的情况越来越严重，他的意志力已经无法控制，三番两次想加害珍娜母子，幸好都被忠心的“雷神”阻止，到底他们的命运会如何？
自幼生长在贵州山区的美院学生康凯（徐海乔 饰），利用假期带着同学利彦（刘政 饰）、王之（王洁曦 饰）、珠世（龙雨 饰）、美弥（阳蕾 饰）和新冬（蒋松 饰）回老家，以考察山上岩洞内新石器时期的壁画。瘴气轻锁的山道，一桩车祸惨剧令康凯他们的心头蒙上愁云，似乎预示了他们接下来的恐怖行程。落雨之夜，年轻人们来到康凯家落脚，王之突发高烧，卧床不起。次日，众人留下生病的王之出发寻找岩洞，结果洞中的棺材和毒蛇、蝎子等令年轻人大受惊吓。然而更恐怖的还在后面，康凯等人躲雨时跑进一间木屋，却在那里目击了王之鲜血淋漓的尸体。 巫蛊横行，图腾冤鬼，在这座神秘老镇，死亡事件接二连三发生……
PARK Duk-joon is an old man living by himself. Every night, he suffers from insomnia attacks brought on by disturbing flashes from his dark past. He tries in vain to pray and find solace in religion. His only friend is Mrs. LEE, a church elder who gives him weekly church bulletins. Mrs. LEE invites him to a testimonial at her church. Duk-joon is surprised to see the face of the speaker. He is LIM Gwang-han, Duk-joon’s former superior officer from his days as a police interrogator in the 80s. They meet for the first time in years, Gwang-han brings up Duk-joon’s painful past again.
内详
灵感来自1850年的Saddleworth女巫的故事。在他神秘的死亡之后，一名年轻女子回到了她父亲在荒原上的乡间别墅，发现了一个与当地巫术有关的诅咒护身符。她发现护身符有黑暗的力量，并会给你最大的愿望，但作为回报，她解开了两个致命的恶魔，困扰着她......
十多年来現职记者的芝（蒙嘉慧饰）每晚发著同一個噩梦，身心終日受著困扰。一天她与同事琪（谷祖琳飾）於採訪途中，碰上一名男子跳楼身亡，然而芝独自在深夜加班時，竟于办公室內碰上了他，幸得上司兼男友阿祖（梁汉文饰）从旁保护。 芝、琪被委派到围村做訪问，誤闯进一所古屋。芝赫然发觉屋內所竟与梦境一样！芝对看守著古屋的文（唐文龙饰）有种說不出的感觉.
《海上钢琴师》编剧亚利桑德罗·巴里克的导演处女作，影片呈现出同样精彩绝伦的故事，讲述了贝多芬第九交响曲创作过程中的秘密。
Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter. Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
